Too Moved to Talk
The company Too moved to talk created by the Brussels dancer and choreographer Fanny Brouyaux in 2018, carries out and develops choreographic projects that attempt to decompartmentalize different artistic languages and their audiences.
Through figures, character-archetypes or presences, she creates shows at the crossroads of dance, theater and performance.
The name she chose for this company, which could be translated as "Too (é) mu.es pour parle", is inspired by the work: "Sorry too moved to talk", by the visual artist Fred Eerdekens.
Fanny Brouyaux chooses this nomination for its sensitive evocation, its invitation to look for non-verbal forms, moving forms of communication and subtle glances at the human.
Too moved to talk product the works of Fanny Brouyaux and her collaborators
Fanny Brouyaux
Fanny Brouyaux is a choreographer and dancer from Brussels, trained at P.a.r.t.s. https://www.parts.be/
After her studies, she created several site-specific performances in collaboration with musicians and sound artists Christian Schreurs and Yann leguay: "Osa Mayor", "Un Bruit",… for Researchers‘ night, Museum night fever, D-festival, Molendance festival and for the commemoration of 50 years of Moroccan immigration in Belgium.
She then set up her own company, "Too moved to talk", with which she created the stage shows "De la poésie, du sport, etc" in 2019 (created in collaboration with actress and performer Sophie Guisset), "Warm" in 2021 and "To be schieve or a romantic attempt" in 2024.
Her favorite themes are invisible forms of care, emancipatory energies, systems and mechanics. Her choreographic work focuses on deconstructing gesture through trouble and detail. Based on stagings of archetypal figures or characters at the crossroads of dance, theater and performance, she invites audiences to think about, watch and feel dance through codes that she decontextualizes.
As a dancer/performer, she has worked with the following companies: Radical Low/ Chantal Yzermans, Anania/Taoufiq Izeddiou, Nyash/Caroline Cornélis, Abis/Julien Carlier, La peau de l’autre/Marie Limet, Julie Bougard, Marco Torrice and Baptiste Conte.
Fanny Brouyaux also regularly participates in various creations as a choreographic and/or dramaturgical advisor and occasionally gives workshops in movement, composition and choreographic external eyes.
She was also one of the organizers and programmers of the Caméléon festival, a festival around the notion of “multiple identities” having been organized́ in Charleroi in October 2017 in tribute to Sadia Sheik.
