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("Schieve" means twisted or crazy in Brussels).

 

In her new solo "To be schieve or a romantic attempt", Brussels-based choreographer and dancer Fanny Brouyaux, trained as a classical and contemporary musician and dancer, focuses on the visceral aspect of romantic movement: the heartstrings. Through rhythmic mastery of the physical and mechanical tensions of different emotional states: the emergence of a sob, the technicality of trembling, of spasm, she explores the friction between controlled gestures and the uncontrolled movements that run through her during attacks of spasmophilia. A former cellist, she invites the spectator's gaze to be disturbed, constantly playing with the opposition between lyrical virtuoso gestures and anarchic impulsive gestures. Accompanied by a soundtrack featuring Paganini's various caprices, the dancer unravels the tensions that inhabit her body, setting out to find fossils of emotion.

Credits: 

Performer and choreographer: Fanny Brouyaux Choreographic assistant: Jason Respilieux

Lighting designer: Quentin Maes Sound designers: Patrick Belmont and Yann Leguay One-off look and dramaturgical assistant: Louis Combeaud Other one-off looks: David Séchaud, Sophie Guisset, Angela Rabaglio, Micaël Florentz and Baptiste Conte Costume: Rose Alenne Voleau Make-up consultant: Colette Menet

 

Partners :

Charleroi danse, Grand Studio, Mille Plateaux - CCN La Rochelle as part of the Ministry of Culture's Accueil Studio program, CCN - Ballet de l'Opéra national du Rhin as part of the Accueil Studio 2023 program, Théâtre du Marché aux grains - Bouxwiller, Accueil studio : POLE SUD CDCN - Strasbourg, Theater Freiburg (DE), L'Abri (CH), Onassis (GR) and Trois -C-L Centre de Création Chorégraphique Luxembourgeois as part of Réseau Grand Luxe 2022-23, Théâtre Marni, Centre culturel d'Anderlecht, La Fabrique de théâtre. 

 

With the support of the Fédération Wallonie-Bruxelles Service Général de la Création Artistique-Service de la danse.

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To be schieve or a romantic attempt
Creation 2024
 

Photo Vincent Van Utterbeeck

Vision

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